NYT: Producer of ‘The Godfather’ Lands Rights to ‘Atlas Shrugged’ Novel
"Mr. Ruddy, whose canon includes films as varied as “The Godfather” and “The Cannonball Run,” almost had a deal back in the early 1970s, when he wooed Ms. Rand personally while sitting on a small couch in New York.
But Ms. Rand, who had left the Soviet Union in the 1920s and feared the Russians might acquire Paramount Pictures to subvert the project, wanted script approval; Mr. Ruddy, as adamant as she was, declined. “Then I’ll put in my will, the one person who can’t get it is you,” Mr. Ruddy recalls being told by Ms. Rand, who died in 1982."
But Ms. Rand, who had left the Soviet Union in the 1920s and feared the Russians might acquire Paramount Pictures to subvert the project, wanted script approval; Mr. Ruddy, as adamant as she was, declined. “Then I’ll put in my will, the one person who can’t get it is you,” Mr. Ruddy recalls being told by Ms. Rand, who died in 1982."
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But I'm not The Producer, Director or Screenwriter. What do I know? I do know that when I read a good book, I picture all of it in my mind as a TV movie and I'm damned good at telling the good from the bad and the ugly. I could not possibly imagine 'positioning AS as a "love story"...'
khaling.... 'thousands' have come to read AR and AS by watching the movies...
BFD. We need tens of thousands, maybe millions to see the miniseries and, out of that, take a look at how they're living their lives and how they're influencing their own Government in lots of Bad Ways. But, As A Love Story?! If it works, FINE, but I certainly have a LOT of trouble seeing a 'love story' as carrying the plot or message from beginning to end of such a series!
Back to one of my frequent comments on this and other similar threads... What Is The Purpose of Making A Series of AS?! If it's to make lots of money for Hollywood and TV media, (and Netflix or whatever), so be it. Fess up and move on. If the intention is to convey Rand's ideas into the mainstream, sure, it might work, but not in my mind's eye.
Good luck to all... but please Decide First! If it's an already-made Decision to be a "Love Story," why is anyone humoring us by asking our opinions?
+af
If you're hypersensitive about gay issues, don't watch it, because that's the filter you'll be seeing it through. I turn 70 in a few weeks and know a bunch of gay and lesbian people and couples and the gay sex is quite 'off-screen' and there's a lot of hetero-stuff that goes on, too.
Whatever lights or extinguishes your fire... :)
Jan, Yo Ho Ho!
It would be very difficult to rewrite Atlas Shrugged into a different era because it would destroy the plot mechanisms and remove the possibility of retaining much of Ayn Rand's dialogue. The time period of Atlas Shrugged is not an excuse to rewrite it.
A movie cannot be a direct image of a novel transposed to film for many reasons, but the farther it strays from Ayn Rand's story, especially in the hands of someone exploiting it without regard to or antagonistic to Ayn Rand's theme and sense of life, the more damage that can be done. That is why Ayn Rand insisted on retaining the right to approve the script. Ruddy tried to pull a fast one in 1972, promising her to honor her conditions while expecting she would give in to get the contract, and then reneging on his promise when she refused. It is no wonder that so many people familiar with Ayn Rand and her ideas are skeptical of turning it over to him as a Hollywood pro now especially with his dismissals like the one in the article:
"As for concerns about faithful Rand fans objecting to any liberties he might take with the book, Mr. Ruddy said he had none. 'If you can reimagine the Old Testament and the New Testament, he said, 'why can’t I reimagine Ayn Rand?'”
The movie is not supposed to be about "reimagining Ayn Rand" to be whatever some Hollywood type wants to imagine.
Perhaps what he is imagining is an adaptation like West Side Story to Romeo and Juliet. R&J, as written, is nearly incomprehensible to most modern readers, and they reasons for hatred between families are completely lost on us in the absence of true family feuds. The true tragedy of R&J is not that the two families were just being mean to each other and to their children, but that it was an inescapable position for the lovers. West Side Story put that struggle into terms modern viewers could understand... between warring gangs. Two sides that could never see eye-to-eye.
I think this has quite the opportunity to bring home the magnitude of the repercussions of collectivist and altruistic politics on the real world. Shutting down a railroad does not have the same effect today as it did when the book was conceived, and so taking the literal railroad approach would not have the same impact on viewers.
Objectivism holds that the purpose of art is to represent abstract concepts in a concrete manner. Something to which we can point when we are understanding the intangible. Would we truly understand what a hero was if we didn't have literature or films to demonstrate one for us? So let's see what he does, I at least think he has the right starting point. Perhaps he can bring AR's ideas to what was a previously unreceptive audience.
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