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die Willers. He is a very admirable character, al-
though no genius. I thought it was a mistake for the
movie-makers to make him black, because his
complete subordination to Dagny would make him look like an Uncle Tom.
He doesn't necessarily die in the book. I read
in Who is Ayn Rand? and, I think, also in some
of Ayn Rand's notes for the book, that his fate is
deliberately not determined; it is just a question;
if somebody comes along and rescues him, he
will survive; if not, not. I thought Cherryl and
Eddie would have made a good couple, though
that was impossible, because he was in love
with Dagny.
I have no doubt that either Eddie or Cheryl would have been welcome in the Gulch. The fact that they didn't get their speaks to an experience that most of us have felt -- to be an Objectivist is to be willing to live in a society that roundly condemns all that we hold to be most central to life and that takes strength, self-confidence, and a willingness to be the odd man out in most circumstances in our lives. If you aren't strong enough to stand apart from the world and recognize its follies and perversities, you probably won't feel that the Gulch is your natural home. Eddie and Cheryl would not have had the gumption to pull up stakes and throw in their lot with the Gulchers; they would have had to have someone to follow before they went there.
.
He was dependent on her admiration and did not dare let her grow: He wanted her to remain the hero-worshipping shop girl dependent on him to live in the world, while he was dependent on her mistaken admiration for him, knowing he wasn't what she had thought he was. He needed her, the truly noble soul though of only average ability, to give him the unearned sanction of a spiritual superiority he sought, which in turn required destroying the good in her and preventing her from growing and learning the truth. He wanted to "break spines", including Cheryl's, and constantly undermined her. He had to, given what he was and the lie he lived. James Taggert boasted that he couldn't build an industry but he could destroy those who did as his power. He did the same in the spiritual realm to Cheryl.
It all illustrates the destructive falsehoods of love as alms, the desire for the unearned, and the hatred of the good for being good -- and what happens to good people of only average ability who lack the required philosophical understanding or anyone to guide them in attaining it: another example of the plot-theme of Atlas Shrugged showing what happens when the mind is withdrawn from society.
You can find Ayn Rand's detailed description of what she intended to portray and the flow of the logic of the characters' actions within the James Taggert-Cheryl Brooks relationship in The Journals of Ayn Rand, 1948 notes pp 581-2 and June 7 and 9, 1952 pp 641-2.
believe what she was seeing. . just as you said. -- j
.
Ayn Rand did not have a "melodramatic" style. You can read about her principles of romantic fiction writing in her The Romantic Manifesto and The Art of Fiction.
Eddie Willers was one of Ayn Rand's favorite characters. His fate was cast by the logic of the plot, not a desire to do him in. It illustrates what happens to people of ordinary abilities as a consequence of collectivism and statism based on conventional moral ideas of self-sacrifice as the good.
by someone, and he felt confident that Cherryl would give
him that adoration, to fill a hole in his soul. . his self-confidence
was so thin that he needed help to shore it up. -- j
p.s. the relationship turned into a demonstration of pure evil,
since Jim effectively destroyed her. . hatred of the good for
being the good was, in the boiled-down analysis, his motive.
.
I think that Cherryl was a shining light, a beacon of innocence who was a young woman who embodied everything that a woman could be. As Scott said, she had the makings of a hero. She looked at the world with joy and anticipation and love of life.
I think there are many people in the world who feel that they cannot create or produce, but they can destroy. They feel that whatever the heroes of the world can produce, they can destroy, and that makes them more powerful than the hero.
Cherryl was the epitome of innocence and goodness, and I think Jim took great satisfaction in destroying her. The greater the destruction, the longer he kept his demons at bay. In the end, though, he had to face those demons; face reality, and it destroyed him.
So I think that the hero worship was secondary, and that Jims need to destroy was what Jim satisfied with Cherryl.
Edit:sp
ah, you are getting to mamaemma's argument. so you see Cherryl as a stand-in for Francisco. He cannot break Francisco, so Cherryl, who is also good, he can due to her ignorance. She feels ultimately trapped by his claims that he will use his crony pull to keep her in the marriage and when she sees the social worker on the dock-admonishing her to be self sacrificing, it is the undoing. she option locks that death is preferable to living under Taggart's thumb and evilness. interesting .
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